Wwise Versions
- Cube Integration
- Sample Project
- Wwise Fundamentals
- Wwise Help
- Wwise SDK
- Wwise Unity Integration
- Wwise Unreal Integration
Autre Documentation
- Strata
- ReaWwise
- Audiokinetic Launcher
- Wwise Audio Lab
- Wwise Adventure Game
- GME In-Game Voice Chat
Cours de certification
- Wwise-101 (2021.1)
- Wwise-201 (2021.1)
- Wwise-251 (2019.1)
- Wwise-301 (2019.1)
Autres sources
- Site Web
- Vidéos
- Questions et réponses
- Blogue
Ambience Fantasy Collection Guide
Strata Help
Ambience Fantasy offers a range of environments that articulate the fantasy world. The various Area, Interior, and Drone subprojects represent common aspects of magical fantasy lore. The drone subprojects are especially useful for establishing an air of fantasy in any natural or urban ambience.The subprojects are mixed using higher order ambisonics with assets recorded in ORTF-3D. They are set up ...
Ambience Medieval Collection Guide
Strata Help
Ambience Medieval offers a wide variety of sounds that articulate the Medieval world. The Area and Interior subprojects represent aspects of medieval life, the city, day and night, tavern, church, harbor, back alley and market place. These subprojects are mixed using High Order Ambisonics with assets recorded in ORTF-3D, and are set up to render in a variety of common multichannel ...
Basic Layer 1
Strata Help
They have items with mono or stereo source files, which are not mixed using ambisonics.
_i_ak_plugin_8h_source
Wwise SDK
For example, ambisonics will be decoded or encoded if needed. 587 /// \aknote The function will fail if the input or output configuration is object-based, as the speaker volume matrix would be undefined.\endaknote 588 /// All panning or spatialization types are honored. 589 /// 3D Spatialization is performed relative to the default listener position (0,0,0) and orientation, where the ...
I’d like to share some ideas on the overall audio design for this project. Immortal Legacy: The Jade Cipher official trailer Ambisonics: From Concept to Usage The ambisonics format was developed in the 1970s under the auspices of the British National Research Development Corporation. However, it was not as widely used or commercialized until VR came to be. The core idea behind ambisonics is ...
Release Notes 2018.1
Wwise SDK
The 3D Meter provides directional data for an ambisonics bus. WG-36647 Added control buttons to split tabs section, horizontally or vertically, into separate panes. WG-36650 Added Reset to Default button in the Object Property Settings (Configure Columns) dialog of several lists, including List View, Query Editor, Reference View, and Contents Editor. WG-36687 Added source plug-in creation to a Project ...
Release Notes 2016.1
Wwise SDK
WG-24758 Added support for ambisonics to the Wwise sound engine. WG-26555 Added support for offline decompression of Vorbis audio files, allowing storage of decompressed audio in memory. WG-27265 Added Wwise Object Path to XML and JSON SoundBank descriptors. WG-27299 Added AK::SoundEngine::PostMIDIOnEvent and AK::SoundEngine::StopMIDIOnEvent to execute a number of MIDI events on a specified Event ...
ak.wwise.debug.generateToneWAV
Wwise SDK
Please use the silence waveform for the ambisonics configurations, as the other tone signals will be incompatible with the format. Possible values: 0.1 1.0 2.0 2.1 3.0 4.0 5.1 7.1 5.1.2 7.1.2 7.1.4 Ambisonics 1st order Ambisonics 2nd order Ambisonics 3rd order Ambisonics 4th order Ambisonics 5th order sustainTime number Number of seconds of the signal holds at the specified level.
Please use the silence waveform for the ambisonics configurations, as the other tone signals will be incompatible with the format.", "type": "string", "enum": [ "0.1", "1.0", "2.0", "2.1", "3.0", "4.0", "5.1", "7.1", "5.1.2", "7.1.2", "7.1.4", "Ambisonics 1st order", "Ambisonics 2nd ...
After discovering that the market lacked real tracked impulse responses for 3D Audio use, we set out to experiment and produce the first commercial Higher-order Ambisonics impulse response library ever. In this article, we give a behind-the-scenes look at how we did that. Microphones: The first big question was which microphones to use. We tested a bunch of setups. For first order Ambisonics there ...
Acoustical simulation of the room is performed with CATT from which soundfield B-Format (i.e. Ambisonics) Room Impulse Response are exported and subsequently imported in Wwise. The room is simulated without any acoustical treatment panel to control the reverberation, sound decay and spatial envelopment, that are included in the final design. Overview of the system We envisioned a VR experience of ...
This article was originally published on gabrielgallardoalarcon.com. A short jam with the system running. The audio in the videos has been decoded from ambisonics to binaural. The use of headphones is highly encouraged. In this blog entry I will explain how I tried to apply the Ambisonic audio workflow with Unreal Engine for a school project, how I failed, and how I used that failure as inspiration ...
Known Issues and Limitations
Wwise SDK
FL-FR-FC-BL-BR-SL-SR-HFL-HFR-HBL-HBR 12 FL-FR-FC-BL-BR-SL-SR-HFL-HFC-HFR-HBL-HBR 13 FL-FR-FC-BL-BR-SL-SR-T-HFL-HFC-HFR-HBL-HBR Ambisonics Speaker panning has no effect on ambisonics voices/busses. Balance-Fade panning of voices/busses with standard channel configurations (mono, stereo, 5.1, and so on) has no effect when encoded in ambisonics. The Matrix Reverb does not support ambisonics configurations.
AuxBus
Wwise SDK
Objects 166411.0 125462.0 453152.1 289313.0 63040044.0 63531585.1 65497687.1 902392405.1.2 904358507.1.2 7615244927.1.4 516Ambisonics 1st order 521Ambisonics 2nd order 528Ambisonics 3rd order 537Ambisonics 4th order 548Ambisonics 5th order 761327882Auro 9.1 769716491Auro 10.1 803270924Auro 11.1 803467534Auro 13.1 33025LFE trueNonetrue BusVolumeBus VolumeReal640[ -200 , 200 ]trueAdditivetrue BypassEffectBypass ...
Bus
Wwise SDK
Objects 166411.0 125462.0 453152.1 289313.0 63040044.0 63531585.1 65497687.1 902392405.1.2 904358507.1.2 7615244927.1.4 516Ambisonics 1st order 521Ambisonics 2nd order 528Ambisonics 3rd order 537Ambisonics 4th order 548Ambisonics 5th order 761327882Auro 9.1 769716491Auro 10.1 803270924Auro 11.1 803467534Auro 13.1 33025LFE trueNonetrue BusVolumeBus VolumeReal640[ -200 , 200 ]trueAdditivetrue BypassEffectBypass ...
Wwise 3D Audio Bed Mixer
Wwise SDK
MainMixConfigurationMain Mix ConfigurationUint320Possible values : Value Display Name 0Same as Audio Device 65497687.1 7615244927.1.4 516Ambisonics 1st order 521Ambisonics 2nd order 528Ambisonics 3rd order 537Ambisonics 4th order 548Ambisonics 5th order trueNonetrue PassthroughMixPolicyPassthrough MixUint160Possible values : Value Display Name 0When Audio Device supports it 1Always 2Never trueExclusivetru ...
SoundSeed Grain
Wwise SDK
Display Name 16641Mono 12546Stereo 289313.0 63040044.0 63531585.1 65497687.1 902392405.1.2 904358507.1.2 7615244927.1.4 516Ambisonics 1st order 521Ambisonics 2nd order 528Ambisonics 3rd order 537Ambisonics 4th order 548Ambisonics 5th order 761327882Auro 9.1 769716491Auro 10.1 803270924Auro 11.1 803467534Auro 13.1 33025LFE trueNonefalse OutputLevelOutput LevelReal320[ -96 , 24 ]trueAdditivefalse ...
New Features Overview 2016.1
Wwise SDK
Wwise SDK 2023.1.3 New Features Overview 2016.1 Ambisonics Support Wwise now supports the import of ambisonic media source files (AMB or WAV), the 3D rotation of ambisonics sources, and the output of ambisonics through ambisonics-specific Bus configurations. And, with the use of the new Wwise Recorder plug-in, it is possible to save your ambisonics output to ambisonic files. Wwise Recorder ...
7th Order Ambisonics through Channel Router?
Questions et réponses
Hi everybody, Is there a way to deliver 7th (or 5th, 6th) Order Ambisonics using the Channel Router? I've been searching for documentation about this, but I'm unable to find. Any input is welcome. :) Regards.
Just as new sound design guidelines are appearing with the emergence of binaural and ambisonics spatial panning, working with dynamic spatial reverberation will also require new design paradigms. While the need for novel spatial audio technologies is motivated by the immersive qualities of virtual reality, they can also be powerful tools for any interactive sound design for non-VR platforms. How ...