Composite Tracks are parent tracks fed by combinations of Layers and other Composite Tracks.
To offer the maximum potential to render precisely mixed versions of Combat Walla performances for your particular needs, the track routing of the Walla project is complex. There are multiple Composite Tracks. Depending on various control track envelope values, sound may or may not be present on an individual Composite track.
The Composite Male and Composite Female Tracks are for region rendering output and are not routed to their parents or outputs. They can be auditioned by soloing the Composites that feed them. Composite Tracks are always colored White.
The parent Composite of Calm and Intense Composites is assigned to the Main Output. Under most circumstances, you hear this track's output.
The parent Composite of the combined Calm Male and Calm Female Layers, L1, L2, L3, L4, and a child of Composite Mixed.
The parent composite of Intense Male and Intense Female Layers, L1, L2, L3, L4, and a child of Composite Mixed.
The parent of Composite of Male Calm and Composite Male Intense. This track is not assigned to an output. You can listen to this Composite by simultaneously soloing the Composite Male Calm and Composite Male Intense tracks.
The parent Composite of the Male Calm layers, L1, L2, L3, L4, and the Male Calm Movement Layers, and a child of Composite Male and Composite Mixed Calm.
The parent composite track of the Male Intense layers, L1, L2, L3, L4, and the Male Intense Movement Layers, and a child of Composite Male and Composite Mixed Intense.
The parent of Composite Female Calm and Composite Female Intense. This track is not assigned to an output. You can listen to this Composite by simultaneously soloing the Composite Female Calm and Composite Female Intense tracks.
The parent composite of the Female Calm layers, L1, L2, L3, L4, and the Female Calm Movement Layers, child of Composite Female and Composite Mixed Calm.
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